Things intro cinematic, setting the stage before a deep DX-style synth bass establishes the aesthetic more concretely, passing the ball to a quick riser that in turn segues into a groove channeling Terminator & William Gibson & the like Stabbing Westward influence is apparent & well-executed.

Good timing since there seems to be a renewed interest in science fiction & cyberpunk on Netflix, Amazon, HBO, and elsewhere, so this fits right in with some of what old & new audiences are enjoying. This track has probably the most production work I've ever put into anything (although, no, not actually 9 years' worth - which would be particularly impressive since the game came out in 2013 ) ).' I used an extended version of the main melody to bookend the song, with some original material in the middle. The Stabbing Westward track ' Why' was a big influence here I wanted to make something that blended a bit of that style with the dark 80s-esque synths of the original, as well as some aggressive modern elements. Anyway, here's a Wolf Among Us arrangement that I hope you like. 9 years ago?! Hmm, that was a bit longer than intended. ' Probably time to work on a new OCR submission. Aluminum's last featured ReMix was a Super Mario 64 jam back in 2007, so it's BEEN a while! Fast forward many years and we've got this dystopian, dark, industrial-edm-rock arrangement of The Wolf Among Us: Season One:

The wolf among us game file size